Invisible forces, evident
within the workings of nature are increasingly the subject of serious
research. We hardly need remind ourselves that energies with which we
work today are becoming increasingly powerful in their effects upon our
natural resources. Inevitably it is upon an harmonious and balanced
nature that we rely for our well-being. Many of these influences are
invisible and unless we remain quite awake we tend to discredit or
ignore their effects, but we do this at our peril. Magnetism,
electricity, electromagnetism, microwaves, radio activity, heat,
pressure, toxicity all play a part. For a long time to come they are for
obvious reasons not going to diminish or disappear but rather increase
in intensification.
It is equally obvious that, albeit much more
subtle, there are energies active within and around everything which is
living. We also know today that these are often related in most
delicate ways to the energies already mentioned above. It is therefore
clear to any unbiased intelligent person that interrelating influences
must be considered, that will bring about imbalances in processes which
by their very nature are much more vulnerable.
Water is a
mediator of these energies, both delicate and powerful which, streaming
through the organism, make life possible or untenable. Such fluid
processes are supported by the influence of rhythms, the understanding
and manifold implementation of which forms the basis of our Flow Design
Research.
Water's central function of maintaining this symbiotic
relationship of environment and organism through millennia, is fast
deteriorating due to unrelenting technological usage. Continuation of
this trend may well have increasingly serious consequences for life on
the Earth.
Through an enhancement of our natural-scientific and
intuitive understanding of water there is potential for creative,
positive and hopefully healing intervention.
The Flowform Method as one such attempt has evolved through
searching for an understanding of the nature of water itself. It is
based on the question; would it be possible to create an organ for
water which would enable it to manifest its potential to order and
metamorphosis as exhibited in the so-called path-of-vortices phenomenon
(generated behind an object drawn through still water) thus
anticipating capacities in water, fundamental to the building of any
organism ? Relationship and metamorphosis belong to the very
foundations of nature. The Method depends upon detailed observation of
the way in which resistance of the right order in a given situation can
generate rhythms in streaming water.
Its discovery by John
Wilkes in 1970 while involved in research at the
Strömungswissenschaften, (Flow Research) Herrischried, Germany, led to
further developments during subsequent years at Emerson College,
Sussex.
Today with thirty years experience, the Flow Design
Research Group seeks further collaboration and resources in conjunction
with scientific disciplines through which essential research can be
intensified.
Almost continuous involvement with projects of
many different kinds in England, abroad, starting 1973 in Järna,
Sweden, and in collaboration with Associates worldwide in some
twenty-five countries has led to some two thousand installations in
fifty countries which have themselves often facilitated design and
scientific research. Over one-hundred Flowform designs have been used
of which a number are in regular production. Areas of activity include
aesthetic, for public, educational arid private installations;
functional, connected with biological purification, farming, food
processing, interior air-conditioning, therapeutic, only to name a few.
Increasingly the work is concerned with water quality improvement and
enhancement of its life-supporting capacities. This involves
essentially the optimisation of effects which have been indicated by
many research results. The main thrust of investigation has to address
questions regarding ; organism in relation to rhythm surface which is
always intimately connected with water movement (either empirical or
mathematical), materials, time (planetary effects), duration and place.
As mediator water behaves as an information carrier and this is
related to its capacity when in movement to generate a multitude of
surfaces within itself. These surfaces are indeed organs by means of
which events and conditions within the total environment are mediated
to the individual organism. Such an embedding of the organism within
its rhythmical environment is essential to its continued existence.
Movement, especially rhythmic vortical movement, sensitises water to
this task.
The natural water-cycle has maintained water's
quality of function over millennia. This is no longer possible due to
excessive pollution of the many kinds mentioned above such as,
pressure, heat, substance, electromagnetism and radio activity. This
excess inhibits nature's healing and regenerating function.
One
of the most important tasks today is certainly to reduce pollution for
the sake of maintaining the rhythms of life. However if this were
achieved tomorrow, major tasks would remain.
Far more
intensive methods must be developed to regenerate and maintain water as
a healing element, water which is the basis for all fluid rhythmical
life-sustaining processes, needs to become a healing medicament.. All
life forms exist indeed by virtue of the rhythms and surfaces mediated
by water.
Optimisation research has to do with learning to
work with such rhythms, the vortex, surface and substance in
relationship with the living organism. The Flowform Method is a useful
vehicle by means of which this might well be more intensively
cultivated. The integration of design and function in this realm has
infinite potential to counter inappropriate influences and the
Institute, with more adequate facilities dedicated to this task could
make far reaching contributions.
The maintenance and creation
of water features of all kinds in our environment is of vital
importance. Even though water supplies are becoming increasingly
difficult to maintain, public consciousness regarding water's value and
preciousness is in need of a boost. It is especially important to
develop water features which are designed in water's own terms, that is
in terms of flowing pulsing movements over intimately caressed
surfaces. This in itself should make us more aware of this element's
extraordinary qualities in the forming and upholding of our
environment. As we enhance our understanding so do we learn to value it
in new ways and take greater responsibility for its use in everyday
life. © A. John Wilkes, re-edited January 2006 Virbela Rhythm Research
Institute Emerson College RH18 5JX UK
Further details from www.flowforms.com